HAU

Vol 12, No 3 (2022)

Cover Page

Table of Contents

Editorial Note

A treasury of ideas
Andrew B. Kipnis, Louisa Lombard, Raminder Kaur, Luiz Costa
615–620

Currents: The Re-starting of History: Life in Changing Spheres of Russian Influence

Louisa Lombard
621–623
Louisa Lombard
624–631
Ainur Begim
632–641
Jennifer J. Carroll
642–650
Dace Dzenovska
651–658
Monica Eppinger
659–667
Volodymyr Ishchenko, Oleg Zhuravlev
668–676
Ilmari Käihkö
677–685

Special Section: Elementary Words of Political Life

Anastasia Piliavsky, Judith Scheele
686–700
Joel Robbins
701–716
Claudio Sopranzetti
717–731
Judith Scheele
732–746
Ward Keeler
747–762
Piers Vitebsky
763–776
Ana Chiriţoiu
777–790
Harry Walker
791–804

Articles

Guido Sprenger
805–818
Chris Vasantkumar
819–835
Diego Villar
836–855
Ian McGonigle
856–871
Samuele Poletti
872–888

Forum: Big Mouth: Sexual Violence, Evidence, and Ambiguity

Bremen Donovan, Nomi Dave
889–894
Adrienne J. Cohen
895–899
Bremen Donovan
900–907
Nomi Dave
908–915
Carrie Rentschler
916–924
Jesse Weaver Shipley
925–933

Book Symposium

A perspective on science, ontology, and reflexivity
Katherine Pratt Ewing
934–938
Marshall Sahlins, where are you? From the intellectual to the existential
Gordon Mathews
939–942
Life-giving and death-dealing powers
Marilyn Strathern
943–946
Untamed Amazonia: Comments on an enchanted book
Carlos Fausto
947–950
At the track: Gambling on the science of anthropology
Frederick Henry, Peter Sahlins
951–957

Film Symposium

Catharsis after the hangover: A focus on Unwritten Letters
Raminder Kaur
958–960
Brotherhood at times of war: Reviewing the film Unwritten Letters
Eda Elif Tibet
961–964
Reflections on Unwritten Letters and the neorealism of contingency
Estella Carpi
965–967
Reflections on the healing power of collaborative filmmaking: The case of Unwritten Letters
Christian Suhr
968–971
Time, grief, and hope on film
Yasmin Fedda
972–974
Relational filmmaking: Reflections in response to comments on Unwritten Letters
Max Bloching, Abd Alrahman Dukmak
975–978