HAU

HAU: Journal of Ethnographic Theory

HAU: Journal of Ethnographic Theory, is an international peer-reviewed, partly open-access journal that appears in both digital and print format. It aims to take ethnography as the prime heuristic of anthropology, and return it to the forefront of conceptual developments in the discipline.

The journal is motivated by the desire to reinstate ethnographic theorization in contemporary anthropology as an alternative to explanation or contextualization by philosophical arguments--moves which have resulted in a loss of the discipline's distinctive theoretical nerve. By drawing out anthropology’s potential to critically engage and challenge its own cosmological assumptions and concepts, HAU aims to provide an exciting new arena for evaluating ethnography as a daring enterprise for worlding alien terms and forms of life, exploring  their potential for rethinking humanity, self, and alterity.

HAU takes its name from a Māori concept, whose controversial translations—and the equivocations to which they gave rise—have generated productive theoretical work in anthropology, reminding us that our discipline exists in tension with the incomparable and the untranslatable. Through their reversibility, such inferential misunderstandings invite us to explore how encounters with alterity can render intelligible a range of diverse knowledge practices. In its online version, HAU stresses immediacy of publication, allowing for the timely publication and distribution of untimely ideas. The journal aims to attract the most daring thinkers in the discipline, regardless of position or background.

HAU welcomes submissions that strengthen ethnographic engagement with received knowledges, revive the vibrant themes of anthropology through debate and engagement with other disciplines, and explore domains held until recently to be the province of economics, philosophy, and the sciences. Topics addressed by the journal include, among others, diverse ontologies and epistemologies, forms of human engagement and relationality, cosmology and myth, magic, witchcraft and sorcery, truth and falsehood, science and anti-science, art and aesthetics, theories of kinship and relatedness with humans and non-humans, power, hierarchy, materiality, perception, environment and space, time and temporality, personhood and subjectivity, and the metaphysics of morality and ethics.

Free access journal
The University of Chicago Press publishes one free-access journal: HAU: Journal of Ethnographic Theory. This model provides one month of free access after the release of each new issue, and then requires a subscription for continuous access to content. All HAU: Journal of Ethnographic Theory content published from 2011-2017 is open access.

Announcements

 

CFP: HAU Special Issue, Witnessing Environmental Change, Deadline 30 June 2020

 

Proposals should be submitted by 30th June 2020

To inquire or submit a proposal, please contact the Special Issue guest editors:

Sarah Vaughn: sev83@berkeley.edu

Danny Fischer: dtfisher@berkeley.edu

Cc to Mariane C. Ferme: mcf@berkeley.edu

The call for proposals can be found here.

 
Posted: 2020-03-27 More...
 
More Announcements...

Vol 10, No 1 (2020)

Cover Page

Table of Contents

Editorial Notes

Flesh, bones, and spirits
Raminder Kaur, Andrew B. Kipnis, Luiz Costa, Mariane C. Ferme
1–6

Currents: The Rise of Brazilian Fascism

Federico Neiburg, Omar Ribeiro Thomaz
7–11
Gabriel Feltran
12–20
Rosana Pinheiro-Machado, Lucia Mury Scalco
21–31
Ronaldo de Almeida
32–40
Piero C. Leirner
41–49
João Pina-Cabral
50–53

Special Section: Globalization of Luxury

Marc Abélès
54–68
John Osburg
69–84
Máximo Badaró
85–98
Lynda Dematteo
99–119
Viviane Riegel
120–129

Articles

Joshua Burraway
130–146
Julie Valk
147–165
Anna I. Corwin, Cordelia Erickson-Davis
166–182
Olaf Almqvist
183–194
Rosalyn Bold
195–208
Francesca Merlan
209–235
Jens Kjaerulff
236–250

In Memoriam

A timely encounter and a loss
Mariane C. Ferme
251–253

Unedited

Review of Jens Kjaerulff. “Situating time: New technologies at work, a perspective from Alfred Gell’s oeuvre”
Nancy Munn
254–258