Against Hollywood: American independent film as a critical cultural movement

Abstract

In the late 1980s, American independent film broke out of the tiny “art houses” (specialty theaters) of a few major American cities and became a much stronger presence in American public culture. Independent filmmakers see themselves as challenging the hegemony of Hollywood, eschewing entertainment—fantasy, pleasure, happy endings—and offering instead harsh and “edgy” stories about life in contemporary society. The present article draws on interviews, panel discussions, filmmaker Q & As, and other contexts in which independent film people talk about what they are trying to do: to make what one indie producer called “movies that matter.”